Giacomo (or Jacopo) Barozzi da Vignola (Vignola, near Modena, October 1, 1507 - July 7, 1573) was one of the great Italian architects of 16th century Mannerism, also known as Vignola. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits' Chiesa del Gesù in Rome. The three writers who spread the Italian Renaissance style throughout Western Europe are Vignola, Serlio and Palladio.
He
began in Bologna, supporting himself by painting and making perspective
templates for inlay craftsmen. He made a first trip to Rome in 1536 to
make measured drawings of Roman temples, with a thought to publish an
illustrated Vitruvius. Then François I called him to Fontainebleau, where
he spent the years 1541‑1543. In Rome he was taken up by the papal
family of the Farnese and worked with Michelangelo, who deeply influenced
his style. From 1564 Vignola carried on Michangelo's work at St Peter's
Basilica, and constructed the two subordinate domes according to
Michelangelo's plans.
Some of Vignola's other outstanding work:
Villa Giulia for Pope Julius III (1550‑1553). Here Vignola was
working with Ammanati, who designed the nymphaeum and other garden
features under the general direction of Vasari, with guidance from the
knowledgable pope and Michelangelo. A medal of 1553 shows Vignola's main
villa substantially as it was completed, save for a pair of cupolas.
Villa Farnese at Caprarola (1559-1573);
Villa Lante at Bagnaia (1566 onwards), including the gardens and their
water features and casini;
Chiesa del Gesù, Rome, the mother church of the Jesuit order, which would
become a source for Baroque church facades in the 17th century;
Church of the Angels, Assisi;
Church of Sant'Andrea in Via Flaminia, Rome, the first oval dome, which
became a signature of the Baroque.
Like many other architects, Vignola submitted his plans for completing the
facade of San Petronio, Bologna. Designs by Vignola, in company with
Baldassare Peruzzi, Giulio Romano, Andrea Palladio and others furnished
material for an exhibition in 2001 [1].
His two published books helped formulate the canons of classical
architectural style: Regole delli cinque ordini d'architettura "Rules
of the five orders of architecture," (first published without a place
given but probably in Rome, 1562) and the posthumously-published Due
regole della prospettiva pratica ("Two rules of practical
perspective", Bologna 1583), which favour one-point perspective
rather than two point methods such as the bifocal construction. Vignola
presented— without theoretical obscurities— practical applications
that could be understood by a prospective patron.
In 1973 Vignola's remains were reburied in the Pantheon, Rome. His
influence can be seen in the facade of St Peter's Basilica by Carlo
Maderno.
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It uses material from the Wikipedia
article "Italian Renaissance".